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Ned Collette - Our Other History LP [Sophomore Lounge]"'Our Other History' is a wonderful new LP by this wandering Berlin based Melbourne expat. Ned's last album, 'AfternoonDusk' was an avant instrumental trio outing with James Rushford and Joe Talia, but 'Our Other History' is a return to delicate, sophisticated song craft of his 2018 masterpiece, 'Old Chestnut.' Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more
"'Our Other History' is a wonderful new LP by this wandering Berlin-based Melbourne expat. Ned's last album, 'Afternoon—Dusk' was an avant instrumental trio outing with James Rushford and Joe Talia, but 'Our Other History' is a return to delicate, sophisticated song craft of his 2018 masterpiece, 'Old Chestnut.'
Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more impressionistic than overt in their storytelling, but his vocals carry hints that recall those of the legendary Roy Harper. But where Harper's attack was often Dionysian, Collette's approach is Apollonian, and the tracks often have a compositional feel with a distinct taste of Canterbury.
The players this time include old hands, like drummer Steve Heather and pianist Chris Abrahams (of The Necks), but there are a bunch of new players on hand, including Melbourne mates, Jim White and Mick Turner (of Dirty 3 fame) and the folksinger, Leah Senior.
Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more impressionistic than overt in their storytelling, but his vocals carry hints that recall those of the legendary Roy Harper. But where Harper's attack was often Dionysian, Collette's approach is Apollonian, and the tracks often have a compositional feel with a distinct taste of Canterbury.
The players this time include old hands, like drummer Steve Heather and pianist Chris Abrahams (of The Necks), but there are a bunch of new players on hand, including Melbourne mates, Jim White and Mick Turner (of Dirty 3 fame) and the folksinger, Leah Senior.
All these elements (and more) are fitted together with elegance and allowed space to breathe.
Collette's music is hard to classify. It exists inside a dynamic flux made up of equal parts post-rock, folk, jazz and avant prog, but it manages to remain plain-spoken and uncluttered regardless of how complex its structure can be when you start parsing it. But why bother? With a record as throughly lovely as 'Our Other History', the best idea is to just relax and let the music flow. Beautifully."
– Byron Coley 2024
* * * * * * * * * * * * * * *
"I don’t really know Ned Collette. That’s about to change, and I am energized with anticipation. Last summer, I saw Ned in performance here in my hometown of Louisville, KY, accompanied by Elisabeth Fuchsia who had recently become a hero-friend. And it was ‘magical’, ‘alchemical’, engaging and illuminating and inspiring; I witnessed Ned’s and Fuchsia’s almost overpowering fluency with music and with music’s ability to act simultaneously as the medium for communication between performers and with audience.
I’m bouncing back and forth with how I refer to Ned Collette in this writing. If I always called him “Collette” it might disguise the fact that, should I wish to, I could reach him now, easily, on the telephone or over email, and that our acquaintance continues to grow and just about resembles something I’ve learned can be called friendship. If I only referred to him as “Ned”, though, it would belie the fact that I am humbled by his ability.
These are songs. They are also sound-pieces, artful constructions of dynamic arrangement. 'Our Other History' is a dreamworld unto itself and, where each song stands on its own, this is one of those increasingly rare beasts: a full-length record to to experience and behold and live in for a while as a whole thing. The contributors’ voices (including the human voice in the cases of Leah Senior and Judith Hamann) bring such significant impact that it is beyond what we think of as musical parameters, getting deeper into the drama and tone of each piece. I would call it “Lyric Music” because the lyric carries much of the weight (not to say burden) of what is communicated. The word dominates, and here the word rewards. When Mick Turner’s guitar enters the scene, I am overwhelmed with joy; and Jim White’s drum playing has never felt more natural and powerful and appropriately modifying than it does here. And then I begin to notice Steve Heather’s drumming everywhere else and am floored by its dusty elegance. But isn’t fair to single out players; I’m being fully subjective, and my perspective changes with each listen. The record as a whole is directed in ways that we understand a movie director oversees the identity of her or his film.
Ryan Davis and I were driving around the United States not long ago and he played this record in the van. I couldn’t believe that something so fine was also new. But it could only be new; it wears its modernity subtly and surely and is as rewarding a listening experience as I’ve come across in recent times."
– Will Oldham 2024
(an extended version of this text is included with the vinyl release)
Collette's music is hard to classify. It exists inside a dynamic flux made up of equal parts post-rock, folk, jazz and avant prog, but it manages to remain plain-spoken and uncluttered regardless of how complex its structure can be when you start parsing it. But why bother? With a record as throughly lovely as 'Our Other History', the best idea is to just relax and let the music flow. Beautifully."
– Byron Coley 2024
* * * * * * * * * * * * * * *
"I don’t really know Ned Collette. That’s about to change, and I am energized with anticipation. Last summer, I saw Ned in performance here in my hometown of Louisville, KY, accompanied by Elisabeth Fuchsia who had recently become a hero-friend. And it was ‘magical’, ‘alchemical’, engaging and illuminating and inspiring; I witnessed Ned’s and Fuchsia’s almost overpowering fluency with music and with music’s ability to act simultaneously as the medium for communication between performers and with audience.
I’m bouncing back and forth with how I refer to Ned Collette in this writing. If I always called him “Collette” it might disguise the fact that, should I wish to, I could reach him now, easily, on the telephone or over email, and that our acquaintance continues to grow and just about resembles something I’ve learned can be called friendship. If I only referred to him as “Ned”, though, it would belie the fact that I am humbled by his ability.
These are songs. They are also sound-pieces, artful constructions of dynamic arrangement. 'Our Other History' is a dreamworld unto itself and, where each song stands on its own, this is one of those increasingly rare beasts: a full-length record to to experience and behold and live in for a while as a whole thing. The contributors’ voices (including the human voice in the cases of Leah Senior and Judith Hamann) bring such significant impact that it is beyond what we think of as musical parameters, getting deeper into the drama and tone of each piece. I would call it “Lyric Music” because the lyric carries much of the weight (not to say burden) of what is communicated. The word dominates, and here the word rewards. When Mick Turner’s guitar enters the scene, I am overwhelmed with joy; and Jim White’s drum playing has never felt more natural and powerful and appropriately modifying than it does here. And then I begin to notice Steve Heather’s drumming everywhere else and am floored by its dusty elegance. But isn’t fair to single out players; I’m being fully subjective, and my perspective changes with each listen. The record as a whole is directed in ways that we understand a movie director oversees the identity of her or his film.
Ryan Davis and I were driving around the United States not long ago and he played this record in the van. I couldn’t believe that something so fine was also new. But it could only be new; it wears its modernity subtly and surely and is as rewarding a listening experience as I’ve come across in recent times."
– Will Oldham 2024
(an extended version of this text is included with the vinyl release)
released September 6, 2024
NED COLLETTE – guitar, voice, bass, drums, piano, electric guitar, synth, organ, percussion
LEAH SENIOR – voice
STEVE HEATHER – drums/percussion
ELISABETH FUCHSIA – viola
MICK TURNER – electric guitar
MIKE MAJKOWSKI – double bass
JOE TALIA – drums
EAMON MCNELIS – trumpet
JUDITH HAMANN – voice
JIM WHITE – drums
CHRIS ABRAHAMS – piano/organ
FREDRIK KINBOM – electric bass
Recorded by Ned Collette in Berlin
Additional recording on Blue Rooms by Robert Pachaly & Maximilian R. Schneider
Mixed by Ned Collette & Joe Talia
Heeded advice from Jim Marlowe
Mastered by Rashad Becker
Art and design by Dan Davis
NED COLLETTE – guitar, voice, bass, drums, piano, electric guitar, synth, organ, percussion
LEAH SENIOR – voice
STEVE HEATHER – drums/percussion
ELISABETH FUCHSIA – viola
MICK TURNER – electric guitar
MIKE MAJKOWSKI – double bass
JOE TALIA – drums
EAMON MCNELIS – trumpet
JUDITH HAMANN – voice
JIM WHITE – drums
CHRIS ABRAHAMS – piano/organ
FREDRIK KINBOM – electric bass
Recorded by Ned Collette in Berlin
Additional recording on Blue Rooms by Robert Pachaly & Maximilian R. Schneider
Mixed by Ned Collette & Joe Talia
Heeded advice from Jim Marlowe
Mastered by Rashad Becker
Art and design by Dan Davis
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4.5 ★★★★★
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★★★★★ 5
Fixes flats and old tires like a charm
Style: 1 gal
This stuff is awesome. If you have tractor tires, ATV tires, bike, tires, hell, any tires that hold air. This stuff is awesome. Awesome. Awesome. It does not work for highway vehicles, i.e. Cars and truck trucks. But anything else it’s great. Dollies, air compressors, wheelbarrows, the stuff is awesome dude.
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Reviewed in the United States on April 5, 2026
★★★★★ 5
slime is and has always been amazing for bike tires and other small pneumatic tires
Style: 1 gal
this is a great value, I have been using slime in my tubes of my bikes and a small inflatable pneumatic tires for probably 30 years, and I can say slime has only improved, and it works fantastic, this is a very good way to save money, and it works great on goat heads and several other ways your tires can get punctured, I still always recommend carrying a small air compressor or pump, but for the price point you just cannot beat slime, every bike shop should always carry this.
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Reviewed in the United States on April 18, 2026
★★★★★ 3
They need to find a better way to ship it
Style: 1 gal
What was left in the bottle worked great. However, the cap was off of the jug when I opened the package. Ididn't have enough for the other tires.
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Reviewed in the United States on March 19, 2026
★★★★★ 5
TireJect Product Featured on Youtube Channel "sixtyfiveford" Works Fantastic!
Size: 8oz MTB Tire Sealant Kit, Size: 8oz MTB Tire Sealant Kit
I recently had an opportunity to work on an old Troy-Bilt Snow Blower with a Carlisle Stud Bias Tire - 4.80-8 4 that had a continual leak and would not hold pressure for more than a day. After investigation, I discovered that it "Champagne" sized bubbles coming from an area on the sidewall that I circled in yellow "China" marker. Because of the size of the tire, I decided to purchase the "TireJect Mountain Bike (MTB) Tire Sealant Kit because I didn't require a lot of material to seal the tire. The TireJect Mountain Bike (MTB) Tire Sealant Kit came with an single 8oz container and I used 4 of those 8oz's in this single tire. The TireJect material sealed up the area beautifully. After the sealant cured, I was able to pump up the tire to 15PSI and it has held it's pressure for more than a week now. You can see from the photos, that the sidewalls in that yellow circled area were actually cracked (probably due to the tire sitting flat for more than a year). I highly recommend this product over previous products I have used in the past (Slime).
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Reviewed in the United States on October 3, 2025
★★★★★ 5
Great Product
Size: 8oz MTB Tire Sealant Kit
This is unbelievable. It works better than any similar product on the market.
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Reviewed in the United States on November 4, 2025
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